A couple of things I meant to have posted on this neglected blog but somehow hadn’t got around to till now ;)

Our V48hour film festival entry from earlier this year…

Music Video made on last trip to Malaysia for Sashi C Loco and Moe Nasruls song Bintang that I played guitars on…

Bintang

On Friday I returned from a short visit to Malaysia, where I caught up with some of the friends I met living there last year.  The night before I left we shot a music video for the song Bintang, which I played session guitar on last year.  The director just posted up a teaser-trailer of the video, here it is…

Bintang Music Video Teaser from Nazri Ishak on Vimeo.

V48hours 2011

This weekend, jumped in (jet-lag and all) on a 48hour Film Festival team at the last minute and did my first real attempt at acting.  Also made some contributions to the soundtrack of our short film. Can’t show you anything from that yet, be patient. It’s pretty cool :)

Lighthouse Keepers Lunch

Previous to my trip to Malaysia I have been ‘pianoing’ in a play for children called The Lighthouse Keepers Lunch, based on a popular kids book that I remember reading when I was a kid. You can read a review of the play here http://www.theatreview.org.nz/reviews/review.php?id=3906

 

Hello hello, I know, long time no blog. Lucky we have facebook, twitter and real life or you’d all think I was dead right?

Often at the start of the year, I like to write about what my new years resolutions for the previous year should have been (though scrolling back I see I haven’t really done this properly since 2007, busy past few years? According to my blog, kinda. LOL).

So 2010 my new years resolutions with the benefit of hindsight were…

1.  Visit two previously unvisited countries (Thailand and Singapore)

2. Play some music overseas (Kuala Lumpur, Malaysia baby)

3. Get bitten by a snake

4. Learn to swear in another language.

5. Read more than 100 books (Classics mostly, old stuff out of copyright that are free as e-books)

6. RIDE AN ELEPHANT! (lifelong dream!!!)

7. Learn to like beer (this was a New Years Resolution I really truly  made at the start of the year and not just made up at the end. There is a story behind it but it’s one that is probably more interesting if I don’t tell it at all.)

8. Discover the joys of hanging out at a mamak at 3am with good friends. Many of my dearest memories of Malaysia seem to involve this :)

9. Get the worlds most awesome job ever on returning to New Zealand! I’m dead serious, I really like my new job working for recording studio and event production company The Rock Factory

10. Don’t fall apart when everything around me falls apart. I don’t know if I kept this all year long but in the end when push came to shove I’ve managed to swim rather than sink. So far. ;)

So what does 2011 hold? Lets hazard a guess, though really I’m usually so wrong with these.

1. Finish building the GUITAR OF DOOM I really really want to do this! (yes it’s really not finished after all these years, most of you probably don’t even know what I’m talking about…)

2. Play some mean shows (I’m already hearing rumours I’ve put a new band together for Transit of Venus and that the first NZ gig is booked in March…?)

3. Finish an acoustic album/EP.

4. Overcome my dentistry phobia and get my damn wisdom teeth out.

5. Try to be less awful with money.

There ya go. Hope to catch you at a show this year my darlings! xx <3 K

Jansens recently asked me to pick an amp from their store to review. Having an acoustic show or two coming up I thought I’d go for something I could use for acoustic as well as electric. I picked out the Egnater Renegade from the website initially because I thought it had a cool sounding name. Renegade. I’d play through an amp called ‘Renegade’. It’d be badass.

The Egnater Renegade 212 is a 65 watt combo with two different 12” Celestion speakers in the cab (a vintage 30 and a custom voiced Elite-80), two independent channels, 6 12AX7s in the pre-amp, 2 6L6 and 2 EL34 tubes in the power amp. It’s a smooth and sexy hunk of amp in cream and charcoal, with the many controls hidden away on top rather than spoiling the front panel.

I was genuinely and pleasantly surprised with the Renegades versatility. I could see myself covering a lot of bases with this amp, especially thanks to the dial that allows you to blend and choose between cool 6L6’s and warm creamy EL34 tubes on each of the two channels.

I also especially liked the ability to switch between 65 watts and 15 watts, allowing you to get a good sound out of it in the bedroom/lounge as well as on stage.

The clean sound was clear enough to run my acoustic through (which I did at a gig and had no problems), and both channels sounded amazing back home with a Tele and pretty darn nice with my old Ibanez Roadster. The reverb is really natural sounding. Overall my impressions were of a warm sweet beautiful sounding amp that was probably a bit out of my price range. Turns out I was wrong, at $3000* it’s ridiculously affordable considering how good it sounds.

So here I am singing the praises of the Renegade, you may be wondering what’s in it for me? Not a free amp sadly. So here are the things I didn’t like about the amp:

The first I should probably be a little embarrassed to confess. I wasn’t able to bring it to my one of my gigs because I couldn’t get it down the stairs of my flat on my own. It was just too darn heavy.** (Admittedly if I actually owned the amp I would have bumped and slid it down without worrying about a few knocks…)

The second thing, the noisy cooling fan got on my nerves a little.

The third thing, the colour. I would have preferred it in pink. Bogans might prefer it in black, but they might want something a bit more ‘metal’ in the first place. It’s hard to imagine someone playing Metallica through this, though I did try it and it sounded legit.

I give the Egnater Renegade 212 four and a half cookies out of five cookies. It’s sound quality, versatility and affordability are fantastic. It has a cool name. Someone should buy me one for my birthday.

*Apparently on special for $2500 at the moment…

Just doing a general trawl through the blog stats for the Transit of Venus website I saw that someone had recently googled ‘Kristie Addison paintings’. There is none of my artwork on the Transit of Venus site so I thought I’d post some artwork here so if anyone is interested in seeing it, it can be found.

 

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Above – pencil sketch,

below – finished off on computer

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I am trying out a new bloggy thing for my mac, so suppose I better write something to test it.

 

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The above is a picture of a breastfeeding monkey I took at Templar park a while back.

 

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And this is a waterfall in Templar park… Testing how it posts a large picture. ;)

 

That’ll do for now….

 

 

TRANSIT OF VENUS PROJECT presents ‘NOSFERATU’
A special screening of the original vampire classic with new music written and performed live by Transit of Venus.
Auckland rock band Transit of Venus are performing a very special one-night show on November 26th where they provide an all new soundtrack to F.W. Murnau’s legendary silent vampire epic from the ’20s, Nosferatu. Fronted by multi-instrumentalist and composer Kristie Addison, Transit of Venus have also recently released their debut EP Bittersweet Love.
TRANSIT OF VENUS presents NOSFERATU is live at The Auckland Performing Arts Center, 8.30 November 26. Don’t miss it.
BOOKINGS: www.tapac.org.nz & Phone: 09 845 0295
$30 adults, $25 students and senior citizens

Today I finally got around to updating this website.  While it’s been over six months since my last blog here I have been blogging quasi-regularly at www.transitofvenusproject.com with news of the latest happenings of the band.

On the game music side of things, the popularity of the iPhone has provided the opportunity for me to write for a couple of iPhone games. I can’t give you any details (NDA’s!) but I will let you know as soon as the games are released.

Theoretically I’m spending Sunday afternoon and Sunday night recording Tory Staples on drums for my album.  However in reality we will be escaping the studio for a while for a gig.  The gig is at The Crib Bar 151 Ponsonby Road, Auckland New Zealand, kicks off around 6pm and I’d love to see you there! :D

How important are guitar strings when it comes to getting the sound you want?  I’ve always thought it rather daft to own a nice guitar but leave it strung up with old dull strings. During my time working as a guitar tech I would get very frustrated with the customers who came in wanting their guitar set-up but not wanting me to put new strings on it.  “The strings are only two or three months old” they would say.  Or sometimes… “I only change the strings when they break”.  It’s not so bad, if the person has religiously wiped down their guitar and strings every time they’ve played it, but more often than not the strings on the guitar are just plain gross.

Old strings just don’t sound as good.  They don’t vibrate as evenly as new strings due to dirt, corrosion or pitting of the string, unevenness in the metal as the string is stretched out over time.  This is usually first noticed as the string becomes less crisp sounding, the high frequencies are lost.  eg.  If you’re playing the open A string, the string will be vibrating at 440 Hz.  Thats 440 vibrations per second and is called the fundamental frequency.  But on a real musical instrument as opposed to a straight sine wave, you get harmonics that give the note it’s depth and character.  The string is oscillating loudest 440 times per minute, but it is also vibrating with less amplitude at other frequencies.  So mostly what you hear is the fundamental frequency, but the other frequencies, the harmonics, are what gives the life and color to the sound.  As a string becomes older, dirtier and less flexible it is still able to vibrate happily close to its fundamental, but the very high frequency vibrations are disrupted.  The string no longer sounds bright and sharp and clear, it sounds like it’s played through a low pass filter.  It sounds dull, without life or definition.

Old strings with their dirt and corrosion can cause premature fret wear on your guitar.  They are more gritty and abrasive than new strings so will wear away at the tops of your frets faster.  Also, if you aren’t changing your strings often you don’t get a chance to give your guitar a proper clean and oil the fretboard.

You can make your strings last longer by washing and drying your hands before you play your guitar, using a string lubricant such as ‘Finger Ease’, and wiping your strings down after you play.  Long life strings are more expensive but do last longer.

For steel string acoustic guitar, Elixir strings (in my humble opinion) don’t sound as good to begin with.  The coating they have on them seems to dull the sound.  My personal favorites are Dean Markley Alchemy’s, which sound amazing.  A close second for me would have to be the Martin SP+ strings.

For electric guitar, I quite like Dean Markley Blue Steel’s.  And not just because I’m a Zoolander fan!  They are long lasting and very crisp and clear.  They don’t seem to suit every guitar though.  I find some of my guitars need a warmer sounding string and then I just go with Ernie Balls.

I have just put Blue Steel bass strings on my bass and I’m really pleased with those.  I have a very cheap old bass that was a borderline case for being chucked out but the strings have given it new life.

Buying the cheapest strings available is fine if you’re going to change them often.  Even though I use long life strings I still change them before recording or a gig because there’s nothing like the sound of fresh strings.

I’ve often heard it said that you should change your strings after every 20 hours of playing. This sounds like a good rule of thumb, but it can depend on what kind of playing you’re doing and how you look after your strings. So it is a good idea to just use your eyes and your ears to decide. Do my strings look manky? Are the unwound strings showing signs of pitting and corrosion? Do my strings sound less than fantastic? Is my intonation going out?

The strings on your guitar are the source of your sound.  Keep in mind that horrid strings can make the best guitars sound awful. And, because I’m a girl I have to say it, old strings are gross and unhygienic and probably will give you tetanus if you spike yourself on them. :P

Came across this video on geeksaresexy.net and had to repost it because it made my day.  :)

© 2012 Kristie Addison Suffusion theme by Sayontan Sinha