Mark TowlI borrowed a Yamaha DT Xpress 4 for some recording tonight, along with a drummer since drums are not really my forté.  I thought an electric drum kit would be perfect for an evening recording session at home, as it wouldn’t keep the neighbors up like an acoustic kit would.

I wasn’t familiar with the kit before we started, so when it arrived I was actually expecting a USB port for MIDI.  But unfortunatly only the higher models that come USB equipped (so I hear).  The kit does have a MIDI out, but no MIDI in so my cunning trick I was planning was foiled from the beginning.  (This cunning trick would have involved recording the drums on a midi track, quantising and editing to my satisfaction then running the MIDI signal back into the kit and this time recording the audio output.  It’s a very cunning trick that works quite well with keyboards. )

Instead of the cunning trick I just recorded straight from the line out into my USB interface.  I was really impressed with the easiness of the whole process.  Just two leads.  Not ten mics and ten mic leads and ten mic stands and endless soundchecks.  And the whole kit folds down so easily that you can carry it up the stairs in one trip.

Obviously an electric drum kit can not replace a really nice kit in a great studio, but for home recording I think it’s a really great idea.  I loved the samples in the DTXpress, it has some that are cheesy and fun and some that are very usable.  While I probably wouldn’t go out and buy this particular model myself, as I definitly want a USB port (or at least a MIDI-in as well as a MIDI-out) after playing round with it I am definitly keen to try out some of Yamaha’s other electric drum kits to find something that suits my purposes.

Derelict Alpha was just released yesterday, I downloaded it shortly after midnight and began playing my way through (slowly, because I’m terrible at games).  Even though I’ve worked on the game it was just as exciting for me because I hadn’t played it since the beta which didn’t have my sounds or music in, and theres been a lot of other changes too.

A huge congratulations to ERIC HOGAN on finishing this big project.  Erik is a talented indie game designer from Auckland NZ and he has developed Derelict in his spare time over the last 9 months.  You can download Derelict for free from his website.

Notes on sound design for Derelict.

I came into this project as it was nearing completion, there were already a lot of sounds in the game from various soundbanks, and already three tracks of music from the other musicians Samuel Gavin, Edward Clombe, and Bill Norris.  I wrote two additional tracks and began working on the sound effects.

One of my favorite effects is the sound the teleport module makes in the game.  The teleport looks like a cylindrical blue forcefield, and monsters are transported onto the ship through them. I created the sound for these by plugging an instrument lead into my recording interface, and moved my thumb about on the hot end creating sounds like electrical hum.  Then I just chucked in a little phaser, a touch of reverb and that was it.

The sounds the monsters make in the game were a lot of fun to do.  I used my Digitech Vocal300 vocal effects processor to pitch shift the signal down and my old reliable Audix OM2 dynamic mic.  Just recorded snarling and lurking and scary breathing all pitched down, again a touch of reverb to replicate the sound of a big deserted spaceship.

The footsteps were the most challenging sound for me.  Because these sounds were recorded at home not in a studio to keep the budget down as this is not a commercial project, keeping out the background noise was a bit of an issue.  Especially when weather is involved.  But if it’s not weather it’s dogs barking, neighbors mowing the lawn, or people driving past.  In the end, I found the best way for me was to use a dynamic mic instead of my condenser, and to manually silence all the sound between the footsteps.  The dynamic mic was a tough choice because I had to get it much closer to my feet for the recording than I had my condenser, so it was tricky to walk realistically in one spot while being careful not to kick the microphone or tread too hard so that vibration traveled up the mic stand into the mic.  All in all, I’m reasonably happy with how the footsteps came out.

Here are the music tracks I wrote for Derelict.


I have been dying to get a Piano for a while now, however with the stairs, and the tuning, and the space it just hasn’t proved practical. But I’ve been also needing a new MIDI controller Keyboard. Mine is only two octaves, and a few notes don’t work so good after the coffee incident… So I found a good medium point. A fairly decent digital Piano. I didn’t go overboard and get one with all the bells and whistles since I’m going to be using it with my computer anyway. It has a great Piano sound and feel, a USB port, and who needs anything else?

It has a GH3 Keyboard which has different weightings on the hammers, so the action is heavier in the lower end of the keyboard and lighter in the high end making it very realistic to play.

Within minutes of setting it up I found myself writing this piece. Apologies for my rusty playing – I haven’t lived with a piano since moving out of my parents house about ten years ago, so I have a lot of practicing to catch up on :(



I think it’s great, that there’s so much cool free stuff available on the dub dub dub. I’m not talking about dodgy pirated versions of software that tarnish your morality and fill your computer with bugs. I’m talking about stuff that is free or funded by donations/advertising, or fully functional lite versions there to convince you to buy the ‘pro’ version. It’s great. Not that I’m completely stingy, I have bought much software and hardware, but I’m always on a budget, and free stuff comes in handy. So big ups to the following providers of free stuff… You guys rock! Continue reading »

Not many things will get me to arrive an hour early for work. But test driving a few mic’s to potentially prove a drummer wrong, that did it. The drummer in question had recommended to me, that I do not try to choose between the Shure SM58 and the Shure BETA58, but instead to go with an Shure SM57 as “they are great for female vocals”. I was dubious, very dubious, to me the SM57 will always be an instrument mic. But I decided to give him the benefit of the doubt and put his wisdom to the test… Continue reading »

Naturally, i’d rather have Logic, Protools, or something decent. But for something on a limited budget I’m hard pressed to choose between them. Luckily I have both….


I bought Adobe Audition 1.5 for a spectacularly cheap student price. Student discounts rule! Since then they’ve brought out version 2.0 which I’ve used at a friends studio and I hear rumors that there will soon be version 3.0 (which makes my meager 1.5 sound awfully crappy).

Cubase comes free with audio interfaces by Tascam, Lexicon, and Yamaha. You can buy it on it’s own too, if you really fancy. Most interfaces come with the ‘light’ version, but that is still very good. And it’s a bargain if you get something like a Lexicon Alpha for only $349nz. Though, personally I’d go with an interface that at least has phantom power – eg Tascam US-122. Which I have got, and it does me well. For now…. admittedly I do want something bigger and shinier with ten ton’s of inputs, and jack outputs instead of RCA’s…..

Anyway, back to my subject at hand – Cubase vs. Adobe Audition….

Adobe Audition seems to be much better for mixing in. By better I mean; it’s really user friendly, it has a really good waveform editor, lots of built in vst plug-ins, an excellent pitch correction function (IMHO waaay nicer than le ProTools one) unlimited tracks, lockable effects for when your computer can’t handle ten million reverbs in real time. Good stuff.

But Adobe Audition isn’t without fault. (Now I’m talking about version 1.5 here – if newer versions are better then yay for them :) ) I wish, oh how I wish, that Adobe Audition did Midi. How can I record cheesy synths, and drum machine drums if we can’t do midi? I also wish Adobe Audition had a proper grid system for editing things to a click. And I wish I could solve my Adobe Audition recording latency problem.

On the things Adobe Audition lacks, Cubase comes to the rescue. Writing with midi controllers and VST plugins is easy breezy lemon squeezy with Cubase. Even blondes like me have very little trouble. The grid is great for those quick “can’t be arsed” copy&paste demo’s. And I’ve never had the slightest problem with recording latency on Cubase. Though admittedly both programs were equally bad for monitor latency, but that doesn’t bother me so much. Who needs monitors anyway :P

But Cubase is a damn pain to mix in. The panning is all wrong, the bus’s are a pain in the neck, I can never get my head around the automation system. And horror of horror – I get a limited number of tracks and effects per track! How can I go completely overboard when I have limitations like that!?!?

So, neither program is close to perfect, but I’m having a good run lately by recording in Cubase, and then mixing in Adobe Audition. (And then completely screwing everything up by mastering in an old version of wave-lab that’s quite possibly from the 90′s.)

Every time I record I end up wishing I had more money to spend on gear (Specifically LogicPro… Oh yeah…) But if you’re thinking about getting some cheapy software for yourself, I’d recommend going with Cubase to start with. You can do some pretty good stuff with it if you keep it simple.

And there’s always the spectacularly free Audacity. Which keeps getting better and better I’ve noticed.

I have a Digitech Vocal 300 Vocal effects processor. I bought it cheap one day on impulse from my local music store . Intending to use it for making a cool delay sound on stage, somehow I managed to never once get it set up at band practice let alone take it to a gig.

As far as useful sounds go, it’s about as useful as the average guitar multi effects pedal (e.g. GO BUY A DECENT AMP YOU MORON!) There is a tube pre-amp modeler, which is, pretty crap. A grunge distortion which is, basically, also pretty crap. There is an overdrive too, which I assure you, won’t make your day. So does buying this ridicules purple monstrosity make me some kind of moron? No. Definitely not. Not a moron at all…. Continue reading »

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